Stenio Solinas
 
   Italian
 
 
When, in 1963, the remains of Hamabour Mohammed Haj Saleh were taken out of Suleimaniya's pauper's grave where he had been lying with other Kurds executed by the Iraqi army, one of his parents was watching the exhumation. He told the man who was trying to photograph the massacre with a little Kodac: “I don't have any pictures of myself with him, please, take us together”. The picture shows an old man standing at attention, a long barracan, staring the camera. The decomposed body of his son is lying on a makeshift stretcher, his head at his father's feet...  
In 1992 the beautiful Yildiz Alpdogan, a student, was 21. The Turkish officials arrested her for complicity with the Kurdish guerrilla. When she was sentenced to 12 years and six months by the tribunal on that  July day she was wearing a white blouse and a white polka dotted skirt. Behind her were four soldiers with their camouflage combat suits and machine-guns but they looked like poor fellows with respect to the determination of her face and the pride of her gait. A photographer of the National Geographic took her like this. When the magazine was published, it was seized and the picture forbidden.  
Just as beautiful and proud was the Turkish deputy Leyla Zana when she held her defensive  pleading in December 1994. A grey suit, a scarf around her neck, her long and wavy hair on her shoulders, she spoke in a crowded room, a row of policemen behind her back. “I reject the Court's accusation. Our ideas are recognised by everyone. We fight respecting democracy for human rights and peoples' brotherhood. We will continue to do it until the end of our life”. Fifteen years of jail was the answer: complicity with the dissolved and outlaw  Kurdish Workers Party. She was given the Sacharov prize while in jail.  
Sixty years previously Hasan Hayri, with his national Kurdish costume on, got in Ankara's Chamber. He had been convinced by Kemal Ataturk, the head of the government. In Lausanne the European powers asked guarantees for the Kurdish minority in Turkey. “The Kurdish and Turkish people have decided to live together”, said Hayri in Kurd at the deputies. He also officially wrote about this issue to the Old continent's delegates. The document was read and the agreement with Turkey signed. “You are a separatist, you want to break away from Turkey and make an independent Kurdistan”. “No, you know I am not. You know this. I'm Hasan Hayri, I held a speech at the Parliament, I wrote to Lausanne: how can you say that I am a secessionist?”. They answered: “The sure thing is that one day, wearing Kurdish clothes, you went to the Turkish Parliament. So you are a secessionist”. He was sentenced to death, he was asked what his last wish was: “To be buried in a place where the Kurds can walk and spit on me for my betrayal”. A portrait-picture on a liberty background made of marbles and flowers shows him in full glitter, a riding whip in his hands, boots on, trousers with puff, sash, a ribbon with decorations, the shirt collar in velvet. He looks like someone who believes in his neighbour.  
These pictures, these stories are but some which have been collected in the extraordinary “Kurdistan. In the Shadow of History” (Random House) by Susan Meiselas. Susan was a photographer of the Magnum agency and went to Kurdistan for the first time in 1991 when Saddam Hussein launched the Anfal campaign in order to officially eliminate all of them and close a game which had been lasting for half a century. She had been in Central America, she was used to massacres. Yet: “I had never seen such a complete and systematic destruction work...”. While photographing the dead, the destruction, she began to question about the living, about what they had been in the past. She found some old prints of weddings and baptisms together with some cruel executions pictures in a small optical goods shop in Paveh, Iran. She came into contact with families, photograph albums, oral memories, documents during other journeys in Turkey, at Dyarbakir. She began to collect them, to classify them, to comment them. A Kurdish student in New York gave her the address of a Kurdish photographer's son from Arbil, Iraq. The joy and pain of a people reached her studio between the two world wars: celebrations, funerals, anniversaries, meetings, political and religious leaders, common people... Susan re-photographed everything in a rented apartment: the past came back to life from small orange boxes which had been buried in a safe place until then.  
Then news spread and sealed packages began to arrive in the woman's New York studio. The documents of the Europeans and of the Americans who had visited Kurdistan arrived: explorers, missionaries, journalists... They contained letters, journals, notebooks. Statements, official deeds, public and private events eventfully reached the United States from Baku, Azerbaijan... With the help of Martin van Bruinessen, a Dutch anthropologist who taught Kurdish  history and language at the universities of Utrecht and Berlin, Susan began to give a finished sense to the huge amount of material she had collected. It lasted six years but the result - 400 large-size pages, hundreds of pictures and interviews, an endless documentation - is greater than all expectations. The story of the largest people without a State now unfolds under our eyes for the first time.  
The Sharafuddin emir tells that, after the great Persian king Jamshid's death, the tyrant Zahahak took his place. He wasn't just cruel in his soul: two snakes got out of his shoulders and made him suffer. To calm them he had to feed them fresh human brains every day. Two young men had then to be sacrificed every day to answer such needs. The executioner, however, was sensitive and so, after a while, he began to kill only one man and replace the missing human brain with sheep's and sent the survivor to the most inaccessible mountains. The young who had been saved in this way grew over time without any contacts with the external world, they set up a community, created their own language, got married within the community. They were called Kurds.  
The legends dates from the sixteenth century and tells a lot about the nature, the pride and the originality of this people. In his “Esquisse Historique et Etnographique”, published towards the end of the nineteenth century, the French anthropologist Ernest Chantre wrote: “The physiognomy of the Kurds expresses savagery. The features are harsh, their brilliantly proud eyes are small and deep-set. Men are dark, tall, thin and have an uncommon strength. Their gait is confident, they hold their head erect with pride, their glance is arrogant”.  
Freya Stark, an untiring and romantic English traveller, more prosaically commented: “They are the most handsome. I have never seen men like these, so slender and strong, their naked legs to the thighs, red turbans hiding their long hair, an almost intoxicating attractiveness. My only desire is to portray all this”. That's what people said back then. The English knew that they had a guilty conscience with the Kurds. Iraq was one of their theoretical inventions in contempt of all the promises made to the Kurdish independence. Gertrude Bell, another exceptional traveller, wrote in 1923 to Sir Percy Cox after the Raf began to bomb all the Turkish enclave of the sheik Mahamud at Suleimaniya: “To tell the truth, I would define your  policy towards them as opportunistic. That's the only word I can think of”. Five years before she was an enthusiast for the war-like qualities of the men who were considered as the allied. In his journal, major Edward Noel wrote: “Bedr Khan has ninety children. This big family has always been identified with revolutionary movements against the Ottoman government. There is a special record on them in the archives of the Turkish secret services. All its members experienced exile and jail”.  
The first Kurdish newspaper was published on April 22, 1898. The editorial said: “The Kurds are more sensitive and intelligent than other people, they are chivalrous, strong and religious. But they are neither educated nor rich, they do not know what happens in the world. Well, this newspaper will deal with the beauty of knowledge and of education, it will show where people study and what the best schools are, it will explain where the wars are and what the great powers do”.  
It was taken at its word. When Mark Sykes, the English whose name - along with the French Picot's - is linked to the division of the Middle East, met the Kurdish leader Ibrahim Pasha in 1906, he was asked: “Has the Algesiras' conference really failed? What is your situation like in Ireland? Is it true that Sarah Bernhardt owns a bigger tent than mine when she moves from one place to another for her work?”. In 1930 “Paris Midi” published an interview with Leila Bedirkhan, a Kurdish dancer and princess: “When I was a child, dancing to me was a pastime. When my father the emir passed away I fled from my country at war and dancing became my raison d'être. I looked for old rites, oriental dances. I chiefly use my arms and my body”. We have a picture of her at La Scala in the “Belkis” ballet. There also are intellectual women, a rarity in a warlike and male community. Hapsa Khan, the daughter of the sheik Abdul Kadir was one of them. After her father's death she became the leading figure at home, she gave hospitality to artists, argued with poets... When she entered a room, her husband stood up. Her brother-in-law commented: “Thank God you are not a man, it would have been a real challenge”.  
Betrayed by everyone, betrayers of everyone, even of themselves, the Kurds in the twentieth century allied with other countries and then revolted against them, even with the Russians, both czarists and Communists. Even because, as William O. Douglas remembers in “Strange Lands and Friendly People”, when a mother wanted to stop her baby crying she told it: “Shut up or the Russians will hear you”. In 1946 Mustafà Barzani sought refuge in the USSR after a short period in the Kurdistan Republic. They asked him the reason for such choice: “We could choose to fight and surrender in Iran, fight and surrender in Iraq, being hanged in Turkey. We went to Russia. They did not welcome us but they did not send us back. We were dispersed. I stayed there for 12 years and did not become a Communist”.  
Among repression, insurrections, autonomies, independence, resistance, armed fights, exoduses, pacification, imprisonment, massacres, the Kurdish adventure had taken place within the middle-eastern scenario whose borders were Turkey, Syria, Iraq and Iran until then. The exotic and wild scenario of the “great game” of the western powers at the end of last century up until the post-war period to the Gulf war. A nice novel by J.J. Langendorf entitled “A challenge in Kurdistan”, perfectly explains the mental, individual and collective mechanism that moved the power strategy of the various states that participated in that game. The idea of being able to act in corpore vili  on still feudal and pre-modern situations, the taste for adventure neglecting all controls of right behaviour or diplomatic agreement, the distance that justified oversights, influences, haughtiness. There were and still are strong economic interests at stake, but outside, the European action theatre seemed unreal: spy networks, training, marches, inviolable peaks, topographic maps, the mysterious east, the tea in the desert...  
The year two thousand seems to fling that scenario in our homes for the first time in its emaciated, less fascinating, more complicated and less understandable aspect. The Kurds risk not being a good problem for international organisations and for some lovers of lost causes.  
The story, amused, seems to want to give us tit for tat, to find what was shattered in other people's lands in the old continent. Europe does not seem to have understood this yet: worried for its well-being and tension, it believes that it is a question of borders, and that closing and controlling them would be enough to keep serenity, whereas it is what Europe established more than half a century ago that has now come to an end as well as the remains and the shreds of an idea of power that arrive on makeshift boats, among shipwrecks, cheats, Mafia and damnation. If things do not change radically, if scenarios are not rewritten, if there are no geopolitical attention and alliances to give Europe a new role and meaning, these exoduses, these migratory pressures will not stop. And it will be increasingly impossible to keep them in check. As far as today's situation is concerned, Europe's sleep is begetting monsters.  
 
 
 
 
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