YearXVI-Issue,09-2000

 

 

 

 

 

 

 

Carlo Franza

The "siesta" is an afternoon nap that owes its name to the Latin "sexta", or the time that marked noon and that accompanied the journey of man over the centuries; it is a theme that has involved not only scholars of sociology and psychology, and therefore a whole segment of anthropology - the human and social sciences - but art history as well.

In fact, a large group of artists have pictorially represented the siesta. Since the body experiences a momentary rest period, and the extremities relax, it is akin to catching your breath, an important moment for recharging physical and intellectual energy.The siesta can vary in length from a few minutes to several hours. It has crossed the history of man, ticking away the hours on the clock, and in the modern and especially contemporary age, it has found a significant place, debunking the idea that it is a habit used only in the rural traditions.

The siesta is also urban, a weapon against stress, a commonly used word referring in a general sense to overwork of the body. The word derives from the ancient French word "destrece", meaning discomfort. Therefore, the siesta in art, at least in the representations by the artists of the last five centuries. There is the "Madonna del silenzio" by Domenichino, where the Virgin Mary is visible with her right index finger in front of her lips as if to indicate quiet, there is a baby sleeping. Giorgione began the cycle of siesta paintings in his "Venere dormiente" (fig. 1), left unfinished after his death during the great plague that struck Venice.

The painting was later finished by Titian, who took his own brush to the landscape and the sky, but did not modify the nude woman, with her hand resting on her upper thigh. At the beginning of the sixteenth century, Piero di Cosimo painted "Venere e Marte" (fig. 8), and in this work it was Mars who was napping, stretched out naked in a field full of life.

Caravaggio painted "The Rest during the flight from Egypt" (fig. 2) in 1596, highlighting well the siesta of the Madonna with child, in a moment that makes the viewer forget the worries associated with flight. Only Joseph is portrayed awake and conversing with an ephebic angel, while it would seem that soft music lulling sleep and rest.

The same "The Rest during the flight from Egypt"(1628)(fig. 3) by Orazio Gentileschi shows Joseph lost in a deep sleep, Mary in a dreamy state, and Jesus, who upon waking, hungrily suckles at his mother's breast.

Siesta and work, this is what Bruegel the Elder paints in the "The Harvest" (1565) as well as in the "Land of Plenty" (1567) where some men abandoned themselves in a singular revelry after a hard day's work.

In "The Harvest" the sunny weather and warm temperature cause the part of the farmers to group together under a tree, while another group returns to work in the fields. In the "Meditating Philosopher" by Rembrandt we can see that he is indeed "thinking" but his posture also expresses relaxation, or daydreaming, considering the peaceful darkness of the atmosphere. The highly sensual painting entitled "Woman stroking a parrot" (1827), by Eugene Delacroix, with its warm and carnal tones, opens up the romantic world that influenced the Orientalists, Pointillists, and Fauvists.

And again Courbet, in his work entitled "Young ladies on the banks of the Seine" (1856)(fig. 5) gives importance to the siesta taken by one of the two women, while the other would seem rather bored.

The siesta that awakens the senses but also the siesta that means surrender and more importantly, rest. We must not forget that the 1800's and more specifically the Romantic period developed quite a few "dejeuners sur l'herbe".

Some examples of these are "Bathers in Asniéres" (1883) and "A Sunday afternoon on the Island of La Grande Jatte" (1884) by Seurat, who would seem already a champion of the "right to nap". A whole other group of artists including Manet, Monet, Toulouse-Lautrec, Gauguin and others often portrayed this "suspended time", this personal, as the siesta has been called.

The enormous amount of art that represents this theme - dear to the world of medicine as well - captures various moments of the siesta and offers ideas of a philosophical and sociological order.

It can soothe life, making it more liveable, just like the age-old adage, "mens sana in corpore sano".

 

 

(traduzione Intepres sas-Giussano)