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Tourism in the recent years took the Italians to exotic islands, far countries where cultures and different lifestyles stimulated dreams of adventures. To-day people returns to the original places, discovers the houses of old relatives in countries with ancient fascination such as Umbria, Tuscany and all our regions so much appreciated for the natural beauties and the historical and artistic heritage. I was driving along the highway going from Milan to Southern Italy, to see colours and scents always more intense and various. I was directed to Sicily, so far too often promoted by mass media with common places, but not too far if it is the arrival of a travel which contributes to discover Italy at each mile. Sicily can and must be re-evaluated by Italian and international tourism. This travel, also by car, with the obliged stop at Salerno, is the occasion to go in depth into ourselves, our history, which does not consist only of criminal chronicle, scandals and ruins. “I know no other place which could simulate to be a myth with the same naturalness. Nobody who, in few significant elements, summarizes the moving fate of humans and ostensibly embodies the most varied holy and mundane motions: the anxiety for happiness, excitement and misery of senses, desire, regret, shame and love...”, as wrote Gesualdo Bufalino of his country, the island which saw the history of Greeks, Islam, the Spanish. Sicily of Frederick the II, unreplaceable stop of the “Grand Tour”, described by the great Romantics; the country of Verga, Pirandello, Tomasi di Lampedusa, Sciascia. My destination is Taormina, the pearl of Ionic sea. It is an enchantment to walk along the streets when the evening lights reappraise the dark corners and alleys show balconies of wrought iron which alternate with window-sills competing for the finest flowers. To relax and strengthen our mind and spirit it is sufficient to stroll in “Badia Vecchia”, “Palazzo Corvaja” or “Palazzo Santo Stefano” with their mullioned windows with two lights decorated with lava and limestone, to attest a refined and Arabic-fashioned taste fond for decorating façades like embroideries. There is a special taste in the lighting of the Cathedral Square or Naumachia Square, which shows the interest of Sicilians for re-evaluating the artistic heritage to exhibit to the world. To look in the evening at a show in the Greeek-Roman Theatre is like making a culture bath, since the stones seem to have gathered the words and motions of the actors being on the stage for centuries. There are also hotels with every comfort, such as Mazzarò Sea Palace, which enable to make dream holidays in lovely corners of beach and sea. I realize now that attention for Sicily, since some years, was restricted only to the crimes of mafia, instead Sicily expresses beauty also under many aspects, also in the somatic tracts of its inhabitants. There are faces which remind the ancient presence of Greeks and other persons who tell the most recent domination of Frederick the II and his court. However, the most attractive characteristic of people is dignity, urbanity of looks, the stately behaviour of men, the sensations conveyed by the people, the thought of the honour which often accompanied the concept of “Sicilian” in the world. In this prospect, we have to read the semiologic definition of Pitrè, the most reputed investigator of popular traditions of Sicily, tending to distinguish the primary meaning of term “mafia”. In the island it expressed the idea of quality, skill, superiority and also of grace and perfection, and hinted at the special skills of courage and entrepreneurship of man. To-day those who have remained mafia men have lost the honour and any moral rationale. The slaughters, plottings, thefts, are no more Sicily, but a corrupted lifestyle, now widespread throughout Italy. We all should feel guilty for this situation, but we should focus on everything which gives reputation to Italy. Indeed, Italy is one of the most important places in the world for its natural and artistic treasuries. 
 
 
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